I've spent the last couple of days adding details to the leaves and flowers, but it wasn't until I decided to put some sky behind some of the foliage to give the painting more depth that I felt finished.
Exciting news. The Ship Store Gallery in Kapa'a, Kauai, just put up two of my giclee prints for sale. They're my Kauai Roosters, which were posted while in progress on this blog in July, 2010, and June, 2009.
Considering this painting is only 8 x 10 inches, this feels like slow progress for a week. I hadn't figured out the foreground plants carefully, so today was about redrawing them as much as painting details.
I just added detail to the feathers today, mostly painted with my synthetic brushes. I did try out my new paintbrush, acquired on my India trip, on the finest details. The artists make their own paintbrushes from squirrels that they feed a special diet. All the hairs on the brush curve in the same direction, and a single hair is the tiniest bit longer than the others, perfect for their exquisite miniature paintings.
The artist who sold me the brush (for about $2) told me with one dip of the brush in paint, they can work for half an hour before needing to dip their brush again. For their miniatures, pigments are ground from stones and minerals and mixed with gum arabic. I can't do that with acrylic--the paint would dry up in the hairs--but it does create an extraordinarily fine line.
It's actually after New Year's Day, and a pat resolution is to tidy up my desktops, both real and virtual. I never know what I'll find. Today, I discovered a computer file I forgot about, with some proposed repeat patterns that were never produced.
Art abounds in India. In Varanasi, that includes the painted doorway along a random alley, and the extraordinary painting around the door to our bathroom at the Ganges View Hotel.
I haven't posted lately because I was in India for the first time. Here are a couple of photographs I took in Varanasi. The first is of a boat on the Ganges, the second is of a woman texting from her narrow perch on a bicycle rickshaw. She possesses the serenity of the people on the boat, even though she's bouncing through a sea of wild, heavy traffic.
I like to share work in progress, random foodie notes (since I've written two cookbooks and illustrated others), and occasional past work from different periods of my 40+ years of drawing and painting.
Every Grain of Rice: A Taste of Our Chinese Childhood in America Co-written with Annabel Low, illustrated throughout with my watercolors. Winner of IACP (International Association of Culinary Professionals) Julia Child Award. Out of print, but available new and used at varying prices.