It's time to paint another rooster. I saw this guy in a parking lot last year in Kapa'a, Kauai, and was impressed by his speckles and white striped tail. I'm working on a 16 x 20-inch canvas.
I've been working short periods on this all week, and some of the time has been spent overpainting details I didn't like. The painting still has a long way to go.
All I know is the pink's way too bright here, and it looks all wrong with the rooster's red comb. I have to tone these way down. I've also added grass under the rooster's feet.
Ok, I have to confess it has been a distracting week moving myself back into my studio from a temporary set-up in my house. I've barely had time to paint all week, but I scanned a detail of the rooster's feathers that I've been working on. The lighter feathers are only half finished, and the darker feathers will be detailed more, too.
Back to work after nursing a cold all week. I'm slowly building each color to see relative values; it's too hard to guess them correctly if I go straight to finish against a white background.
After transferring the foliage layout to the board, I laid down some rough color as a sort of road map. It really helps to paint when the background isn't a deceptive white.
I've been trying to get to start painting this rooster for a while, ever since he posed for many photographs earlier this year in Kauai. While most of the roosters have coppery feathers, this guy is all stylish ivory, black and red. I'm painting on an 18 x 18-inch masonite board.
Rather than filling in the shape head to tail, I want to see relative values as I go--or is it that I'm too impatient to see the rooster develop in such an orderly way?
I've been playing with colored pencil, but not sketched anything very colorful. I thought I'd try a rooster. This handsome guy posed for a photo along a walk in Kauai, where they're everywhere. I darkened the scan of this to show the basic shape; the lines are actually much lighter.
I like to share work in progress, random foodie notes (since I've written two cookbooks and illustrated others), and occasional past work from different periods of my 40+ years of drawing and painting.
Every Grain of Rice: A Taste of Our Chinese Childhood in America Co-written with Annabel Low, illustrated throughout with my watercolors. Winner of IACP (International Association of Culinary Professionals) Julia Child Award. Out of print, but available new and used at varying prices.