I've made the background tone brighter, added the center details to the flowers, and can finally say I'm done. This painting took way longer than I anticipated because of other things going on.
After a long break, I'm finally getting back to painting. It's hard to get back the feeling for this, but it does feel good to be painting again. Changes are subtle, but I've been refining the leaves and flowers.
After weeks of dark skies and stormy weather, daylight is finally good enough to work at shading more of the whites in the flowers and untangle some of the petals. Now I wonder if the background will need to go darker again.
I've slowly been working on the white flowers catch as catch can. Busy week, hard to focus. I'll probably have to go darker to make the whitest whites pop. This still looks way too flat.
I'm toning down the whites to create some depth in the flowers. The leaves need more details, but I want to hold off until the flowers are more finished.
The leaves just weren't right, so I studied the spider lily's growth patterns on the plant downstairs and also looked at some photos I took last year. It isn't often that I have to paint out and rearrange things this far into the painting, but I do feel better about this. I shouldn't have been so hasty, beginning painting before this was worked out.
The background color was too much in the middle range; I spent most of the day darkening it. Now the white flowers stand out more and the leaves feel more grounded. There's still much work to do.
I just laid in the greens roughly so I could see the composition better. The challenge in this will be painting white flowers that look white, not muddy, but not flat, either.
Shading in the spider lily leaves, then adding background foliage took up most of the day today. It ended up more stylized than realistic, but I like the flow of it.
I've wanted to put Brazilian cardinals into a painting for a long time. I always love seeing and hearing them in Kauai. I also worked on the seed pods of the spider lily on the lower left of the painting.
I've been painting catch-as-catch-can lately, slowly filling in the upper left area. One of my reference photos shows a tree trunk blotchy with lichen and criscrossed with wiry vines, and figuring out how to paint the texture was a fun challenge. I still need to add details to the hanging leaves and the left foreground.
I like to share work in progress, random foodie notes (since I've written two cookbooks and illustrated others), and occasional past work from different periods of my 40+ years of drawing and painting.
Every Grain of Rice: A Taste of Our Chinese Childhood in America Co-written with Annabel Low, illustrated throughout with my watercolors. Winner of IACP (International Association of Culinary Professionals) Julia Child Award. Out of print, but available new and used at varying prices.