Small Cardinal Painting - Final

© Ellen Blonder

Done. I hope the fallen leaf gives a sense of scale to this little bird.

Small Cardinal Painting - 4

© Ellen Blonder

I spent yesterday and today adding leaf colors and details, and starting the dried grass at the cardinal's feet. 

Small Cardinal Painting - 3

 © Ellen Blonder

 © Ellen Blonder

It's time to give the cardinal an environment. I worked it out on tissue paper, then transferred the results roughly onto the canvas through graphite paper.

I'm planning to add lighter dead grass in layers over the dark ground, and some delicate weeds I've been wanting to paint. I found the leaves in the background at the McBryde Garden in Kauai. They seem to be a kind of philodendron. 

Small Cardinal Painting - 2

© Ellen Blonder

Oops, I realized the head on the cardinal was too small for the body. Now it feels more in correct proportions. I'm starting to think about what to put around it, rough as it still is.

Small Cardinal Painting - 1

© Ellen Blonder

This is the beginning of a small canvas, 8 x 10 inches, for a small bird, a Brazilian cardinal that came for a visit in Kauai. It looked at me warily as I took a few photos for reference, and my favorites were the head-on poses.

Apricot Galette

It's apricot season! Just picked these the evening before last, and they were begging to be baked into a galette, easier than I pie. 

APRICOT GALETTE

The filling is about 3 cups of pitted, halved apricots mixed with about a half cup of sugar and a tablespoon or so of flour. Set this aside while preparing the crust.

Preheat the oven to 400 degrees F.

I adapt an old Betty Crocker oil-based recipe for the crust:

1 1/3 cups all-purpose flour
pinch salt
1/3 cup canola oil
3 Tbsp soy milk (or milk or ice water)

Mix the flour and salt in a large mixing bowl. Pour the oil and soy milk into the bowl, stir gently with a fork until incorporated, being careful not to overmix. 

Have a rimmed baking sheet on hand. I like to roll the dough out directly on a lightly floured silicone mat (Silpat or Matfer), but you can lightly flour a 12-inch length of foil or parchment paper. Transfer the dough from the bowl to the surface, pat gently into a loose ball, place a sheet of waxed paper or parchment over the dough, then roll into a rough circle about 12 inches in diameter. Remove the waxed paper. 

Arrange the apricots over the dough, leaving about 1 1/4 inches of margin all around. Dot the apricots with a bit of butter or vegan butter. Gently gather up the edge of the dough to fold over the outer inch or so of the filling. It's easier if you work with one hand under the mat or foil. 

Sprinkle the dough with about a teaspoon of sugar. Carefully slide the galette onto the baking sheet, mat/foil/parchment and all. 

Bake until the crust is golden and apricots are soft. The juice will probably overrun and may burn a bit outside the galette, but don't worry about it. 

Remove the galette from the oven. Where the juices have overrun, slide a spatula under the galette to loosen it before the juices cool and harden too much. Once the galette has cooled, you should be able to slide it off the mat onto a serving plate.

Yum. Enjoy!

Tulip Studies

I found a great bunch of tulips at the market last week. I may work them into an acrylic painting, but for now, I've photographed them, then painted some quick watercolor studies in my sketchbook. 

Song Sparrow

I think this is a song sparrow. I spotted it at Sea Ranch, California, in May, perched on a yellow lupine. It posed for me while I fiddled with my new telephoto camera lens, and I was happy with the resulting reference photo. 

© Ellen Blonder

First nectarine from yesterday's farmers' market. I bought this one for its leaves. This is a watercolor in my sketchbook.

Cardinals - Sketches 1

© Ellen Blonder

I'm just now getting to sketching the delightful Brazilian cardinals that like to visit our lanai in Kauai, or hop about the beach and pathways near our place. I used my photographs for reference, while they posed obligingly and pecked at our breakfast breadcrumbs. I don't know what will work its way into a painting.

Lupine - 3 Final

It's starting to feel overworked, so I'm going to stop now.

Lupine - 2

© Ellen Blonder

I spent a little time laying in base colors, and now I'll keep shading them. The tricky part is keeping the petals delicate. 

Lupine - 1

© Ellen Blonder

At Sea Ranch, California, last week, I managed to sketch some lupine, but not add watercolors to it yet.

Campanula Watercolor

© Ellen Blonder

This is among my favorite flowers in the garden now, delicate bell-shaped campanula on slender stems. Time to get back to painting, too. This is from a great Moleskine watercolor sketchbook I'm trying out.

Breadfruit - Final

© Ellen Blonder

I haven't done much more since the last post, just added more detail to the leaves. It's time to stop fussing, though, and say this is done. After photographing the canvas, I did add a text overlay, but I don't think I'll paint hand-lettering on the canvas itself.

Breadfruit - 7

© Ellen Blonder

Today, I finally added detail to the cross-section of the breadfruit. I wasn't sure until now if I should even include it. As long as it was just a white blob, it looked distracting, but I like it there now.

It has been interesting to figure out how I might use this as an ingredient. After baking the halves, removing the center brown stem and peeling them, they're creamy and bland, somewhat like a cross between a potato and zucchini. I discovered if I cut the halves into chunks, they browned nicely in a skillet with a little oil, forming a slightly crisp exterior to contrast with a creamy interior.